In this edition, the title-page is in the state with the diagonal (not vertical) shading of the pedestal; and quires and D are without catchwords on the rectos (i.e., they were printed at Hanau), while all other quires have catchwords (i.e., they were printed in London). The title-page's claim to Frankfurt printing is simply specious.

•  STC (rev.) 12685.3; Shaaber, British Authors Printed Abroad, H49; Sabin 29819; Alden & Landis, European Americana, 606/61. For a detailed bibliographical study of the editions of this and their points, see: Papers of the Bibliographical Society of America, 74 (1980), pp. 1-12. On Hall, see: The Dictionary of National Biography, XXIV, 75-80. Old vellum, neatly recased and hinges strengthened. Lacks the maps, but the engraved title-page and engraved plate of "writing" are present. These have light, thumbnail-sized waterstains at their foremargins, being the only leaves so marked, all others being quite clean. Priced approximately $2300 less than the last complete copy to sell at auction.

Click the interior image for an enlargement.

This variant is less common than the Davis imprint of the same year; WorldCat and ESTC locate only six U.S. holdings, one since deaccessioned.

•  ESTC R202302; Wing (rev. ed.) H510. On Hammond, see: Oxford Dictionary of National Biography online.   Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Lower (closed) edges institutionally rubber-stamped (no other markings). A few small corrections inked in an early hand. A nice copy.  (25770)

The title-page is printed in red and black, and the text is ornamented with a headpiece and one decorative initial; there are numerous quotations in Greek.

•  ESTC R202518; Wing (rev. ed.) H514. On Hammond, see: Oxford Dictionary of National Biography online.   Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Title-page with small excised portion (not affecting text) repaired some time ago, institutional pressure-stamp, and tiny inked annotation in lower margin; first text page with inked numeral in lower margin. Early inked corrections scattered throughout, with occasional shouldernotes and marks of emphasis.  (25789)

Provenance:  Rolle family armorial bookplate.

•  ESTC R10688; Wing (rev.) H1578; Allibone 813.   Contemporary sheep, covers framed in blind double fillets; leather rubbed and scuffed, partially cracked along front joint. All edges marbled. Pastedowns peeled up, front pastedown with early inked inscription; inside front cover with armorial bookplate. Title-page with inked numeral in upper outer corner. (21012)

•  Palau 262674. Wrappers.

•  Exercitationes: VD17 12:122022C; Dissertatio: VD17 23:620709H. Not in Brunet.   Recent speckled paper–covered boards, front cover with printed paper label. Some very faint waterstaining and light spotting, mostly confined to margins; in fact, nice and clean.  (28908)

•  VD17 23:237169Q; Brunet, III, 347.   Recent quarter calf with sides covered in German-style brown paper speckled with black, leather edges tooled in blind, spine with gilt-stamped cream-color leather author/title and place/date labels; raised bands accented with gilt rules. Title-leaf a little dust-soiled, and text with the occasional spot or instance of a slightly irregular edge (due to paper flaws, not damage); old four-digit number inked on dedication page and no other markings. A very nice copy.  (27523)

Even before it was published, the Augustinus generated controversy. Grace was a forbidden subject, and Jansen, who died in 1638 days after completing his magnum opus and never saw it published, was accused of reiterating Calvin and Baius. Despite heated objections, Henri Calenus and Liber Froidmont, whom Jansen entrusted with his manuscript, published the Augustinus at Louvain in 1640, omitting only the author's dedication to Urban VIII. French editions quickly followed in 1641 (Paris), 1642 and 1643 (Rouen), all with an added treatise by the Franciscan F. Conrius. The Augustinus was condemned by the Jesuits, the Inquisition, and the pope to whom Jansen originally dedicated it.

Each of the three parts has a separate title-page, each featuring a large woodcut ornament; of the third part, this copy has the index only. The text is in Latin, printed in roman and italic, with sidenotes, woodcut initials, and large elaborately woodcut head- and tailpieces — at least two initialed “L.M.” or “D.N.,” and at least two more “R.M.” Strangely, two Jesuit ornaments are used as tailpieces, “I.H.S.” surrounded by intricate borders.

•  Willaert, Bibliotheca Janseniana Belgica, 2227; NCE, I, p. 1076. On Jansenius & Jansenism, see: NCE, VII, pp. 818–26.   Period-style black quarter calf over gray marbled paper boards, spine with gilt rolled bands and tool in each compartment, red morocco gilt spine label. Old institutional pressure-stamp on first title-page. Waterstaining, dampstaining, and splotches, foxing and browning all very variously, none of it having weakened the paper; instances of slim, even “hair-line” worming to lower margin of many leaves, with occasionally another wormhole, natural paper flaw, or other piercing. Lacking text of the third part, its title-page and index pages retained. Affordable for its faults, still substantial and interesting.  (30224)

•  Willems 490; Copinger 5255; Palau 376807–8; DeBacker-Sommervogel, VIII, 1339.   Contemporary vellum, covers framed in blind with blind-tooled central medallion, spine with early hand-inked title; vellum lightly soiled overall, upper outer front corner bumped, splits in spine vellum repaired with Japanese paper and minor (expert) repair to joints. Upper outer corner of title-page with early inked ownership inscription in both Persian and English, possibly by orientalist Henry Pitts Forster (1766–1815); title-page with shadows of other annotations. Pages age-toned, with upper portions darkened; scattered light spotting towards back of volume. Eleven leaves with small spots of worming, affecting a few letters without loss of sense; light to moderate waterstaining to portions of leaves towards back of volume. Last leaf with small tear without loss. One page with pencilled annotations.  (25957)

In the five-part appendix are the Aristeas de LXX Interpretibus in Greek and Latin, translated into the latter by Matthias Garbatius; Ad Epitomen Aristeæ; a variorum of Book VII of the Jewish War and the Maccabean Rebellion based on the MSS. in the Leipzig collection; a Latin version of the Libelli de Maccabæis by Francisco Combesis; and fragments from the p e r i p a n t a V , ascribed to Josephus, edited by David Hoeschel based upon the work of Stephan le Moyne. Sidenotes refer the reader to important historical details and parallel biblical passages. This edition was compiled from MSS. in the Palatine library and is a revised and improved version of the Geneva edition of 1591.

According to Dibdin, Thomas Ittigus, the editor, was “a man sufficiently conversant in Jewish antiquities, and an able reviewer of the MSS. and previous editions of his author.” As far as Dibdin was concerned, this more than made up for imperfections in type and in paper quality (the paper is strong but inclined to browning). The title-page is handsomely printed in red and black, with engraved printer's device; there is a scattering of ornamental initials and head- and tailpieces.

•  Dibdin, Introduction to the Greek and Latin Classics, II, 131; Schweiger, I, 177.   Full vellum over boards. Round spine with author's name and “Opera” in sepia ink at top. Inked personal ownership inscription on front fly-leaf; rather pleasing old library ownership stamp on verso of title-page. Lower corner of one leaf (H6) torn away without loss of text. Paper inclines to brown, as above, and there is the odd spot or underlining. A substantial, significant volume.  (2135)

Uncommon: ESTC, OCLC, and NUC Pre-1956 find only 9 U.S. holdings.

•  ESTC S107911; STC (2nd ed.) 14831.   Period-style calf framed and panelled in gilt fillets with gilt-stamped corner fleurons; spine gilt extra with gilt-stamped leather title and author labels. Lacks initial blank leaf, as is the case with virtually all copies. Two leaves with tattered outer edges, one leaf with small hole affecting a few letters; pages with some moderate offsetting, a few browned.  (25084)

    Some of both the voyages and the maps make their first published appearances here—among them the New England map depicting the Maryland and Virginia coastlines, engraved by R. Michault after one contained in Richard Blome’s Description of the Island of Jamaica, part of which work appears here translated into French. Altogether, a volume notable both for its strong African and North American content and for the aesthetic appeal of its plates and pleasingly ornamented typography.

Sabin 36944; Alden & Landis 674/159; Beinecke Lesser Antilles Collection 68; Baer, 17th-Century Maryland, 78. Recent 17th-century style mottled calf with covers framed in a gilt roll and double-panelled in gilt fillets with gilt-stamped corner fleurons,; spine with gilt-stamped leather title and author labels and gilt-stamped decorative devices. Several pages (not including title) and the versos of a few plates stamped by a now-defunct institution. Paper slightly embrittled. Light waterstaining to a number of leaves and plates, mostly in margins; the first map with two repairs. One leaf (blank?) prior to Colonies Angloises excised; lacking the folding map of the Nile. A good copy, in a handsome binding of recent vintage and contemporaneous style. (8746)

•  Willems 1565.   Contemporary vellum, spine with early hand-inked author, title,and publisher; lightly dust-soiled, three corners bumped. A few light smudges towards back of volume, pages otherwise very clean; one leaf torn from upper margin and repaired, affecting a handful of letters, sense unobstructed. Some lower corners nicked.A nice, one might say “classic” little Elzevir.  (27495)

Provenance:  19th-century engraved bookplate of Joannes Thomae Aubry, “Doct. Theol. Soc. Sorb., Rector S. Ludovici in insula.”

Binding:  18th-century crushed red morocco, gilt spine extra; triple fillet gilt border on covers; single gilt rule on board edges; gilt dentelles on turn-ins; French combed pattern endpapers. All edges gilt. Green silk placemarker.

•  Not in Schweiger.   Binding as above. A very good copy.  (22246)

apparently the first printing at The Hague of any Latin Classic(s) in their original Latin.

Juvenal was a Roman poet of the early second century A.D. His Satires are a standard of the genre, eloquent, humorous, and rhetorically polished, but revealing a very bitter man. Persius (a.d. 34–62), was a gentler soul than Juvenal, and his poems are more Stoic sermons than satires, preaching a moral life during one of Rome's more corrupt periods and doing so, most remarkably, without a hint of self-righteousness. The two Satyrae are often published together, in contrast and comparison.

This is the first printing at the Hague of this edition with Farnaby's notes, originally printed at London in 1612 and then reprinted in Amsterdam in 1630. The emblematic engraved title-page here was done by A. de Blois; the separate title-page for Persius bears the printer's device.

Provenance:  Front fly-leaf with three generations of early, dated, inked ownership inscriptions: Thomas Mansell, first Baron Mansel (1684); Robert Mansel (sic, 1712); and Thomas Mansell (1730–31).

•  Brunet, III, 631; Graesse, III, 520; Morgan, Bibliography of Persius, 298; Schweiger, I, 511.   Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Front fly-leaf darkened and engraved title a littlevery little tattered at edges, the first with inscriptions “stacked” as above and the second with old repair. Pages gently age-toned and generally clean, with all edges red.  (25952)