All these works saw previous editions, and Proba’s Virgiliani centones were apparently very popular in the 16th century; the three are first found together in a Frankfurt edition of 1541. This is thesole Estienne edition of all three, though the Homerokentra were reprinted in Estienne’s editions of the works of Homer in 1588 and 1604. It is printed in small roman and Greek typefaces with the Estienne printer’s device on the title-page and a few woodcut headpieces.

Provenance: Handsome bookplate of American Classical scholar Thomas Day Seymour (1848–1907), best known for his works on Homer.

•  Renouard (2nd ed.), Annales de l'imprimerie des Estienne, 147; Adams H810; Schreiber 205; Soltész, Catalogus librorum sedecimo saeculo . . . in Bibliotheca Nationali Hungariae . . . H468. On Eudocia, see: Encyclopædia Britannica, 11th ed., IX, 881. On Nonnus of Panopolis, see: Encyclopædia Britannica, 11th ed., XIX, 737. Old calf with remnants of gilt barely visible, chipped and abraded especially on spine. Title-page lacking bottom edge, into imprint, rebacked with paper. Bookplate as above; two inked ownership inscriptions on title-page, second inked out. Light foxing and a few shallow dog ears.